To Write Well Have An Ear For Music Said Haruki Murakami

According to Haruki Murakami to write well one must have an ear for music. Both of these aspects complement each other.

This view is found in the 352-page book, titled “Absolutely On Music: Conversations With Seiji Ozawa” (小澤征爾さんと、音楽について話をする) .

This free Murakami book basically about music and writing is still available online at three (3) sources.

One which you can download in epub format and the other two you can just read it right away, page by page

Get Haruki Murakami conversations with Seiji Ozawa free online right now before it disappeared like magic.

Note: Beware of those so-called Free Download or Read Online websites, which redirect you to some shady places, and also those one-page fake forums.

write well have an ear for music

To Write Well Have An Ear For Music

The link to free Haruki Murakami “Absolutely On Music: Conversations With Seiji Ozawa” which I found online is for real.

Writing Meets Music

This book “Absolutely on Music Conversations With Seiji Ozawa” by Haruki Murakami is written in casual conversational styles.

The conversation or interview is between bestselling Japanese author Haruki Murakami and former conductor of the Boston Symphony Orchestra Seiji Ozawa, over the course of two years.

For those who do not know Seiji Ozawa, he served as music director of the Boston Symphony Orchestra, one of America’s top orchestras, for nearly 30 years.

This world famous Japanese orchestra conductor regularly led the world’s two leading orchestras, the Berlin Philharmonic and the Vienna Philharmonic.

Anyway, in this book, both Murakami and Ozawa listened to music and dissected recordings of some of their favorite performances.

Murakami asked venerable music conductor Ozawa about his career conducting orchestras around the world.

The Rhythm Of Words And Music

They also discussed and explored the similarities between music and writing.

The music genre they covered in their tête-à-tête include classical, jazz, blues, and opera.

There are six sets of Conversations with four Interludes.

It started of with an Introduction title “My Afternoons with Seiji Ozawa” by Murakami.

In First Conversation, they started off talking about the Beethoven Third Piano Concerto in C minor.

Then in Interlude 1 Murakami and Ozawa share their views about collecting vinyls.

The Second Conversation focuses on Ozawa’s performance of the Brahms First Symphony at Carnegie Hall on December 15, 2010.

In the second Interlude, it is about the relationship between writing and music, where Murakami talked about how a good writer has rhythm to his words.

In Interlude four, Japanese conductor Seiji Ozawa extolled the late Louis Armstrong aka Satcho.

Ozawa used the Japanese term shibumi (渋み) or effortless perfection to describe American trumpeter-vocalist Satcho.

At the end of the book, there is this Afterword by Seiji Ozawa.

He praised Murakami’s profound knowledge and deep passion for music way is beyond the bounds of sanity.

Ozawa also talks about his meet-up with Murakami to his daughter Seira, who is a close friend of Murakami’s wife, Yoko.

Absolutely On Music conversations With Seiji Ozawa Quotes

Hera are a couple of my favorite quotes taken from this book:

“The pure joy one experiences listening to “good” music transcends questions of genre.” – Haruki Murakami

(Introduction: My Afternoons with Seiji Ozawa, P. viii) source

“Creative people have to be fundamentally egoistic. This may sound pompous, but it happens to be the truth.” – Haruki Murakami

(Introduction: My Afternoons with Seiji Ozawa, P. xiii) source

“Conversely, you can’t write well if you don’t have an ear for music. The two sides complement each other: listening to music improves your style; by improving your style, you improve your ability to listen to music.” – Haruki Murakami

(Interlude 2: The Relationship of Writing to Music, P. 99) source

“No one’s going to read what you write unless it’s got rhythm. It has to have an inner rhythmic feel that propels the reader forward.” – Haruki Murakami

(Interlude 2: The Relationship of Writing to Music. P. 99) source

“When I’m writing a sentence, I automatically sound it out in my head, and a rhythm takes hold, kind of like in jazz: you ad-lib a chorus, and that leads organically to the next chorus.” – Haruki Murakami

(Interlude 2: The Relationship of Writing to Music, P. 101) source

“I always get up at four o’clock in the morning when I’m writing a novel. I prepare myself to get completely absorbed in the writing while everything is dark.” – Haruki Murakami

(Third Conversation: What Happened in the 1960s. P. 116) source

“Reckless may be the best way to go sometimes.” – Seiji Ozawa

(Third Conversation: What Happened in the 1960. P. 130) source

Well, if you are a music aficionado and a also a fan of Haruki Murakami’s literary works, then read this book.

I found this book “Absolutely on Music Conversations With Seiji Ozawa” by Murakami, translated by Jay Rubin freely available online for some time now.

Absolutely On Music Conversations With Seiji Ozwa (小澤征爾さんと、音楽について話をする) Free Online

As I have mentioned earlier, there are three (3) sources available online:

The first one is an e-book in epub format; so you need to have an EPUB File Reader to view it.

You DON’T need to sign up any account to download this FREE e-book.

Click Here to download Absolutely on Music Conversations With Seiji Ozawa.

The second and third sources are where you can read it there and then.

Click on any of these: Link 1, Link 2, Link 3

Happy a good time reading Haruki Murakami’s book while listening to great jazz music.